10/10/2007
10/08/2007
10/06/2007
Vivre sa vie - Jean-Luc Godard
Notice the framing and exposure, it feels akward and Nana faces out of the image. The window outside is well exposed, showing the bright day, emphasising the darkness inside.
Later when she dances the camera work is flows, framing carrying her gracefully in the frame.
10/05/2007
10/04/2007
One shot film - student project
Here is another one shot film, simplified.
http://video.google.co.uk/videoplay?docid=-2991980123705224345&q=one+shot+film&total=8293&start=0&num=10&so=0&type=search&plindex=9
http://video.google.co.uk/videoplay?docid=-2991980123705224345&q=one+shot+film&total=8293&start=0&num=10&so=0&type=search&plindex=9
Tracking shot - Hand held ( steadycam)
This shot is handheld but using a steadycam. The hand held nature of the camera gives an unsettling feel to the scene, unlike Boogie Nights where the track is smoother.
10/02/2007
9/28/2007
The copy Shop
- ©IFILM
Writer/director/editor: Virgil Widrich
Cinematographer: Martin Putz
Music: Alexander Zlamal
Actor: Johannes Silberschneider
Download Copy-Shop.avi version
Writer/director/editor: Virgil Widrich
Cinematographer: Martin Putz
Music: Alexander Zlamal
Actor: Johannes Silberschneider
Download Copy-Shop.avi version
9/17/2007
Sin City
Sin City uses the graphic novel for a basis of its design. It uses a high lighting ratio, which gives the film a dark and ominous feel. Occastional use of colour is used to highlight characters, focus the audience.
9/12/2007
The Cabinet of Dr. Caligari
Uses mis-en-scene to convey mood and emotions of the character, without the use of dialogue.
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