Exploration into Narrative, media and technologies.
12/05/2007
11/07/2007
Pans Labyrinth
Lighting techniques give this film a majical feel, "the stuff of legends" and reminds us of the ancient nature of the story.
11/05/2007
10/10/2007
10/08/2007
10/06/2007
Vivre sa vie - Jean-Luc Godard
Notice the framing and exposure, it feels akward and Nana faces out of the image. The window outside is well exposed, showing the bright day, emphasising the darkness inside.
Later when she dances the camera work is flows, framing carrying her gracefully in the frame.
10/05/2007
10/04/2007
One shot film - student project
Here is another one shot film, simplified.
http://video.google.co.uk/videoplay?docid=-2991980123705224345&q=one+shot+film&total=8293&start=0&num=10&so=0&type=search&plindex=9
http://video.google.co.uk/videoplay?docid=-2991980123705224345&q=one+shot+film&total=8293&start=0&num=10&so=0&type=search&plindex=9
Tracking shot - Hand held ( steadycam)
This shot is handheld but using a steadycam. The hand held nature of the camera gives an unsettling feel to the scene, unlike Boogie Nights where the track is smoother.
10/02/2007
9/28/2007
The copy Shop
- ©IFILM
Writer/director/editor: Virgil Widrich
Cinematographer: Martin Putz
Music: Alexander Zlamal
Actor: Johannes Silberschneider
Download Copy-Shop.avi version
Writer/director/editor: Virgil Widrich
Cinematographer: Martin Putz
Music: Alexander Zlamal
Actor: Johannes Silberschneider
Download Copy-Shop.avi version
9/17/2007
Sin City
Sin City uses the graphic novel for a basis of its design. It uses a high lighting ratio, which gives the film a dark and ominous feel. Occastional use of colour is used to highlight characters, focus the audience.
9/12/2007
The Cabinet of Dr. Caligari
Uses mis-en-scene to convey mood and emotions of the character, without the use of dialogue.
9/07/2007
7/31/2007
Jan van Eyck
Marriage painting of Giovanni Arnolfini and his wife Giovanna Cenami
by
Jan van Eyck
Example of an early non linear narrative.
With a painting the viewer has a personal perspective on how they view the narrative. Similarly interactive narrative gives the audience control over the perspective of the narrative but also allows them to change it, make the outcome more solid and less "imaginary".
7/11/2007
“PVC-1”
Shot in one, continuous take, “PVC-1” is inspired by the true story of an innocent woman’s struggle for survival after she is fitted with a collar bomb.
In Colombia, a woman and her family, became the victim of an unusual act of terrorism. Unable to pay a ransom, the mother is turned into a human time bomb and is now trapped in a physical and mental circumstance from which she and her family try to break free.
more information
In Colombia, a woman and her family, became the victim of an unusual act of terrorism. Unable to pay a ransom, the mother is turned into a human time bomb and is now trapped in a physical and mental circumstance from which she and her family try to break free.
more information
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